Background

Background

Silahkan klik beberapa gambar di bawah ini

  • image1
  • image2
  • image3
  • image4
  • image2
  • image1
  • image4
  • image3
Showing posts with label Info. Show all posts
Showing posts with label Info. Show all posts




Ngudang

Iwan Effendi and Papermoon Puppet Theatre

Curated by Agung Kurniawan

With mini performance by Papermoon Puppet Theatre

Opening Night
29 June 2012, 7pm

“Ngudang” is to speak to a child to praise him, to pray for him and to wish for his better future.
It is a Javanese word, which has a deep meaning, and so far has no equivalence in Indonesian, or even in English.

Using the great theme “Ngudang”, this time Kendra Gallery invites Iwan Effendi and Papermoon Puppet Theatre. Both artists have the same tendency in their creativity; they start from narration to tell the public, to perform their visual arts, with Agung Kurniawan as curator.

When it came to giving advice to writers, Kurt Vonnegut was never dull. He once tried to warn people away from using semicolons by characterizing them as “transvestite hermaphrodites representing absolutely nothing.” In this brief video, Vonnegut offers eight tips on how to write a short story:

    Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
    Give the reader at least one character he or she can root for.
    Every character should want something, even if it is only a glass of water.
    Every sentence must do one of two things–reveal character or advance the action.
    Start as close to the end as possible.
    Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them–in order that the reader may see what they are made of.
    Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
    Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

Vonnegut put down his advice in the introduction to his 1999 collection of magazine stories, Bagombo Snuff Box. But for every rule (well, almost every rule) there is an exception. “The greatest American short story writer of my generation was Flannery O’Connor,” writes Vonnegut. “She broke practically every one of my rules but the first. Great writers tend to do that.”

http://www.openculture.com/2012/06/kurt_vonneguts_eight_tips_on_how_to_write_a_good_short_story.html



KitaBuku ArtSpace
Sanur, Denpasar